Intensive Summer . Summer 2012
NOTE: Check the curriculum to the teachers section Els professors into the menu EL COL·LEGI
CONTACT - IMPROVISATION. Ramon Roig.
We propose a way to be helpful but is available, active but relaxed, light but firm and precise. Find a simple way to manage our movement, perceiving more clearly the transition between expansion and contraction between the body and the space around us.
EL NAS VERMELL, LA MÀSCARA MÉS PETITA (curs de clown). Pere Farran.
A summer festival full of sentimental melodies and bursts of fireworks exciting. Five afternoons where we swim in the refreshing waters of the most intimate emotions.
INTRODUCTION TO DUBBING.
Brief introduction to dub
Getting in sync: the micro attitudes: listening to the VO, first reading, for reference, enter location, rehearsal and recording.
IMPROVISATION THEATRE AND GAME. Màrius Hernández.
Introductory course. After years of improvisation brings us the work of the actor. Work concepts useful when going up on stage or be on camera as they are listening, involvement or stake.
SISTEM STANISLAVSKI. Boris Rotenstein.
Teaches the art of paradox: "Living in the real scenario" (Stanislavski)
COLLECTIVE CREATION. METHOD OF METHOD NO. Lluís Elías
The collective creation always goes ahead of individual impulses, creating new ways that none of the participants could have ever imagined for himself.
This course will provide students to propose an idea proposed by staff as theatrical, performance ... These ideas must be developed and work collectively.
PRACTICAL WORK ON CAMERA. Roger Delmont
Recording scenes and situations from the original texts. Practical work in camera in order to get useful material for the actor.
FIGHT ESCÈNIC. Jordi Arús
Stage fighting techniques. The action on stage, falls, blows, weapons. The fight stage requires a very precise technical knowledge to achieve the target scene, giving the desired effect with full security for those who perform it. Learning and applying these techniques in theatrical situations.